Link to ‘Her’ here: https://youtu.be/syV8FkWxzAg
As technology progresses, so does accessibility to it and, as far as filmmaking is concerned, one significant advantage of this is that more creators can now showcase their talents and potential with the proper equipment to so. Her is a prime result of this.
When it comes to short film, the best approach is often to tell a simple story very well, exploiting the abstract visual storytelling that can be achieved in the medium of film, whilst not letting style digress from that core narrative. In Her, unless you thought I’d just told you all that for the banter, this is definitely the approach. The director Noah Parker stuck to a story that was well-suited to a smaller-scale film, but then pushed how ambitiously it could be told; beyond what most budding filmmakers would try.
The first thought most will have is ‘it’s Whiplash with a violin’. Like Whiplash, which interestingly also started as a short film before being adapted into feature-length, Her portrays a creative mind facing the age-old battle between artistic passion and romantic passion. However, I’d argue that Her almost gives a complete counter-narrative to Whiplash. Whilst Whiplash focuses more on the music and the protagonist’s passion behind it, Her puts the majority of its attention on how love between two human beings is pressured as a consequence. The former’s about a character who’d rather succeed in his field and the poor girlfriend gets sidelined; the latter’s about a character (played with class by my pal Micah Joseph, I may add) who really feels the conflict between art and love – I mean, the title is ‘Her’ so of course the focus is going to be on his time with her. Essentially, they portray two different sides of the same coin, which makes for a really fascinating contrast.
Another defining element of the picture is a far less literal portrayal of this psychological conflict, intensifying the story in the exact way a short film should. Note – prepare to squint a bit at the ‘puppet on a string’ moments. These are the moments Parker should be relishing, as he does; using the film as a pallet of ‘look what I can do’ for those producers going out on open season at the film festivals.
Of course, I must give credit where its due to the actors in the film. Now, I know Micah’s my friend and former fellow actor, but the truth is he does do a very good job here. Whilst him, Beth Asher and Adam Parker are all very much amongst the orchestra, whilst the director conducts the story around them in this, they all served that orchestra very well and I bought into their performances.
From watching Her, I can see a lot of potential from all the efforts that contributed to it and I wish everyone involved all the best.